Produce drum and bass software

Many producers have chopped and recorded these drum loops for you to use and download, so a quick Google search should suffice. Recommended: Free Sample Packs. Most DNB basses occupy the sub-bass frequency range, which is typically from about Hz downwards. This is the frequency range that is well-reproduced by a subwoofer and that vibrates the human body. Because this range can be very temperamental and important to get write, a lot of drum and bass tends to be written in keys like E Minor, F Minor and F Minor.

Frequencies under D 1 However, frequencies about G 1 A sine wave used above works well as it clearly reproduces the dedicated frequency, which is once again ideal for club use and clean bass. So to compensate, you can add a subtle amount of saturation to warm up the sound. But in more intense genres, more distortion and FX can be used to add energy, colour and interest. The use of them varies between subgenres, but typically they feature longer, drawn-out bass notes with subtle movement over time.

In higher-energy genres, the basses can have a lot more variation and quicker movements. A lot of the time, producers opt to layer this with a clean sine layer to still get that deep bass feeling. Recommended: Sound Design Tips. Truth be told, all genres of DnB make use of some sort of melodic or harmonic idea, even if very vague and through the use of samples. In fact, DnB borrowed a lot of sampling techniques from hip-hop in its heyday. Sampling is still a major part, and traditionally this was done by sampling a lot of funk, soul and jazz records a lot of the time done without clearance too, which is harder these days.

There are lots of royalty-free samples you can use on platforms like Splice to find musical loops and samples to chop, mangle and process into your own DNB productions. In the majority of DNB, tracks are written in a minor key. The most simple FX used are sweeps of white noise and crashes, which are standard for electronic music across the board.

But they can also vary a lot more than that, with pitching oscillators, moving filters and raging distortion. As always, more subtle, less aggressive sounds can be used in genres like liquid and minimal, whereas intense FX would be used in neuro, jump up and dancefloor. You can find different risers, downlifters and impacts from sample packs, or you can synthesize them on your own. Like with many genres, you can use all sorts of creative FX — because drum and bass is not limited to just tension-building sounds.

The key here is to think outside the box. Drum and bass is a loop-heavy genre and therefore has a lot of repetition with subtle addition, subtraction and manipulation over time.

While the number of channels used in a project can be very workflow-dependant , generally you could get away with anywhere between channels for most tracks, going beyond that for more complex bass-oriented genres Neurofunk etc. This is due to the number of different bass sounds used in those genres, and even if they only occur once in the track, they may need their own channel. The process of mixing DnB has to be done in a very particular way, otherwise, you can end up with a weak and messy track.

The aim when mixing DNB is to have a very balanced mix while not compromising musicality. Heavy amounts of compression and distortion may be used for a lot of the bass sounds, but often there is still movement in the dynamics. In terms of volume, you want the drums to poke through fairly well, generally with the kick and snare sitting slightly above the rest of the drums.

Secondly, the level of the bass should be fairly on par with the drums. Whether you prefer your drum sounds processed or raw, the interface gives you enough flexibility and adjustment to choose exactly how you want your drums to sound. The drum sounds were obsessively engineered at Middle Farm Studios in the UK, where I have personally recorded drums and I can say first hand the drum room is incredible.

The GetGood interface is clean and intuitive, and you have lots of control over each instrument and how you want to adjust the sounds. Overall this is one of the best drum plugins available for those wanting huge sounding drums that are perfect for rock and metal productions. It contains an enormous array of live and electronic drum sounds.

Included are 3, unique sounds ranging from live drums to synth drums and processed drum machine sounds. The DM is an incredibly powerful tool for modern composers. It also comes with 1, custom sound presets. In addition the DM also includes over 1, drum grooves to offer inspiration and a bespoke step effects sequencer that offers huge creative potential for creating grooves.

If you want to program drums for cinematic music, hip hop, electronic music, video games and more; then Heavyocity Dm is a must-have drum software. This drum VST software is loaded with top-quality sounds and full mixing capabilities that let you tailor the sounds to your personal preference. Included with the AIR Strike 2 drum VST you receive 19 natural and detailed drum kits, featuring over 30GB of samples that are perfectly suited for a range of musical styles: Jazz, blues, rock, pop, and more!

The AIR Strike 2 is an amazing value package that contains everything you need to produce highly realistic drum performances. You have full control over the effects through the built-in virtual mixing control that enables you to find your perfect sound.

Strike 2 is one of the best drum software options out there. Best of all is it comes with a highly affordable price tag! The Hollywood Orchestral Percussion VST contains a library of ultra-realistic percussion sounds that will seamlessly fit into any composition.

Included is a massive orchestral library of instrument sounds that will help breathe life into your arrangements. The instruments were meticulously recorded at EastWest Studio 1 in the heart of Hollywood. You will receive an extensive range of percussion sounds including timpani, bass drums, snare drums, orchestral chimes, Mahler Hammer, church bells, cymbals and much more. EastWest sample libraries are the No. WaveMachine labs Drumagog 5 is the go-to solution for drum replacement.

It is packed with features including a more accurate triggering engine, a sample-accurate auto align algorithm, and an extensive 4gb sound library with room samples.

This drum software is not a sound library in and of itself, but rather an advanced triggering engine for fast and precise drum replacement. It is also perfect for layering samples onto drums for more dynamic variety. The Drumagog 5 is the best drum VST for fixing and enhancing live drum tracks. All you need to do is insert it onto your drum track and select your favourite sample.

If you listen to Sub Focus for example his beats have alot of depth and clarity that i assure you you would not be able to create with Reason. So the best piece of kit would have to still me an MPC machiene hardware right? It keeps the large. Remember we want rolling beats with a fat snare abd all the trimings. Now for me logic is great but it takes ages to get a good rolling fat beat sound as you have to work with the fact that it uses a play bar to activate the sound.

It is also geat for making layers of bass. Cubase for me still sounds very clinical and Protools is for mastering not making. What are your thoughts? Joined Feb 2, Location NZ. I'm thinking WTF? Joined Feb 28, Location Bruges, Belgium. Rough statement o:, but i'll keep it o No mate, there's no fucking difference.

Like what are you gonna do, You dig the synths of reason but you love the sequencer that logic brings for example, what will you choose? It's not about the program it's about how you are, and what program fits YOU best, don't go asking other people which one you have to choose 'cause how can they know which workflow you like best. Robmobius Member. Joined Sep 10, Things is, I've heard shit hot music produced from just about every sequencer out there So it's near impossible to recommend you one, as nearly all of them will do ya' - if you use them well.

You've just got to try demos as was said by op and pick the one you like. I mean, I love Ableton and I'm finally starting to get some decent results with it - But some other people hate it. It's marmite all over again to be honest.

If your really serious though, you can't go wrong with Logic or Cubase. Joined Feb 18, Location Norway. U clearly have no idea what u are talking about, ill leave it to that. I personally use Ableton Live 8.